Category Archives: MFA

Top O’ The Snow Day To You!

Well, the snow is falling outside and the chai is hot. I’m not sure where exactly I was going with that, but anyway, it is time for blog writing and news!

Ol’ Pints here is working on a new grouping of stories. As readers of this blog may know, I have an unhealthy obsession with the form known as the story cycle (novel-in-stories or interlinked story collections are other names for it). I’ve just about finished drafting the entirety of a new story cycle (previously, I wrote one as my undergrad thesis). A couple of the stories I have been working on for a bit and they have now safely found loving homes with wonderful literary journals! Stay tuned to the blog (and, especially my “Writings” page) for news on when those pieces come out. As always, I’m also on the lookout for recommendations for favorite story cycles of people. I’ve read a ton but I always want to read more of them!

In other writing news, I am working on a grouping of poems that are very connected. Some of these poems have found homes as well and I’m excited to see where this writing project goes. The linking topics include: demons, magic, and abandoned places. (Also fun fact: This collection’s inception has been heavily influenced by watching a whole lot of Supernatural. So, that’s something.)

And in other news, I just wanted to put some great information out there for all of the writerly folks: the wonderful literary journal Flyway is in the midst of its annual Sweet Corn Fiction contest. It has a pretty low fee and a wonderful prize of $500 AND organic Iowa sweet corn. Noms! The judge this year is an author I’ve mentioned on here before as amazing: Dean Bakopoulos. So definitely, if you’re a writer or know someone who is, check out the contest info here.

Well, that’s all for now. If you’re in a snow-drenched area, make some cocoa and crack open a good book (and or watch some Supernatural. It might lead to some poetic inspiration!).

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Filed under MFA, Writing

Things that go through my mind on a sadly regular basis

1.)    Why when an author has huge success with their first book is there second novel so routinely badly reviewed?

Two of my favorite novels are The Autograph Man by: Zadie Smith (and, why fault Smith for so wonderfully going away from the intergenerational saganess of White Teeth—which don’t get me wrong is a lovely book, funny and beautiful, and was adapted delightfully by the BBC—to try something really quite different.) and the amazing The Little Friend by: Donna Tartt. The Little Friend is a gorgeous book. Did I identify with it because the main character was so perfectly constructed out of things I too love (any little girl obsessed with Shackleton and Houdini has to be close to my heart)? Yes, absolutely, but I also found it to be so perfectly constructed that it made me want to cry.

2.)    When will there be a really good (i.e, actually enjoyable to read and not completely full of scholarly dryness) academic book done on subterranean fantasy?

In particular I want something that covers the Subway fantastic of recent years: King Rat by: China Mieville, Neverwhere by: Neil Gaiman, the Hungarian film Kontroll (trust me I can make a very excellent argument as to why this great film fits into subterranean fantasy), etc. If there is such a book, let me know about it…Or, if there are any subterranean fantasy novels that I should check out, I am all ears (and wouldn’t that be something frightening? A person/ creature who was all ears? It could hear EVERYTHING!!)

3.)    And speaking of China Mieville (which apparently I am never not doing): why is the man so amazing?

His books are each so distinct and so well created. How can someone go from a children’s fantasy novel (UnLunDun) to a truly glorious mash-up of noir and fabulism (The City and the City) to an excellent sci-fi dissection of truth and language (Embassytown) and on and on and I haven’t even mentioned quite a few books here?

4.)    In the vein of UnLunDun, why am I so fascinated by stories of contemporary people who end up falling into fantastic worlds and why am I equally fascinated by the ways in which these types of books diverge?

There’s the person who is taking/ falls into a completely separate world in the vein of Alice in Wonderland, the Oz books, Peter Pan, UnLunDun, etc  and then there are the ones where the protagonist learns of worlds that exist within our own such as the Harry Potter series and I could argue that Stardust fits into this category versus the other. I think my fascination probably stems back to an early fascination with fairy tales that were centered on children stolen away to the land of fairy, etc.  Or, perhaps, on my over watching of Return to Oz (one of the greatest literary adaptations to film. Ever. I will fight people on this one, if I must).

5.)    And perhaps the most important question: Why am I rambling on about these things and letting them fill up my head?

This is actually the simplest to answer and in just two words: MFA applications.

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Filed under Films, MFA, Reading, Writing